I have a couple of the Timber Tigers stashed away somewhere and had forgotten about those! They had a Brush Baby crankbait I really like and still use for 6-8 foot water...caught quite a few bass on them and they seem to work all over. Appreciate the reminder.
super bass minus one
Academy makes two different versions, three if you count the saltwater ones. One is called the Crank SS, for super shallow, and looks very similar to a Mann's Baby 1 Minus but much better quality, paint is better and will hold up and the hooks are good VMC hooks. They have another that is an acronym, something like SCSFW and that has been around for a while, looks alot like the Strike King. Mentioning SK, they have a 1.5 shallow, which is basically a wake bait, and a larger 2.5 actually labeled wake bait. I haven't had a chance to throw the SK 2.5 yet. The academy brand is very good.
I second the academy ones as far as cheaper 1 minus alternatives that run better. I had a lot of success on Table Rock last year on the Rapala bx wake minnow, but they do have a bit different action and they seem to be really picky about chop on the water.
Guitar and bass ball ends are made using brass wire rod. The brass is machined and cut to exacting specifications to ensure a precise fit and function. The ball ends are then deburred, cleaned, and inspected before they are ready for use.
Ware grew up in Chicago where he taught himself to play drums, banjo, bass while playing at church. In the 1940s, he worked with Stuff Smith, Sonny Stitt, and Roy Eldridge.[2] He recorded with Sun Ra in the early 1950s.[1] Later in the 1950s, settling in New York City, Ware played with Eddie Vinson, Art Blakey, and Buddy DeFranco.[2] His only album recorded as a leader and released during his lifetime was The Chicago Sound, from 1957 when he worked for Riverside.[2] He made jazz instructional albums for Music Minus One. In 1958, Ware was one of 57 jazz musicians to appear in the photograph A Great Day in Harlem.[3]
Ware was a member of the Thelonious Monk quartet from 1957 to 1958. He also performed and recorded in 1957 with the Sonny Rollins Trio at the Village Vanguard. Largely self taught, Ware had an unorthodox but highly unique and percussive approach to the bass.
Born in Chicago, Ware taught himself to play banjo and bass and he approached the double bass not only as a melodic and rhythmic instrument but also as a percussive instrument. In the 1940s, he worked with Stuff Smith, Sonny Stitt and Roy Eldridge. He recorded with Sun Ra in the early 1950s.
Ware is best known for his work with the Thelonious Monk quartet in 1957-58 and for his live recordings with the Sonny Rollins Trio at the Village Vanguard. Ware's exceptional timing, economic placement of notes combined with an adroit use of space and time in ensemble playing with Monk was perfectly suited to the pianist's music. Perhaps the best illustration of this is Ware's inter-play with Monk on "Off Minor" (Take 5) as Monk and Ware create a piano-bass dialog that increasingly builds a tension that is at last resolved with Ware's highly creative and angular extended bass solo that remains one of the finest ever recorded in modern jazz. Ware's unique ability to interpret Monk compositions, combined with his impeccable, and swinging sense of time and his percussive attack, perhaps made Ware the most perfectly suited bassist ever to work with Monk. Ware and fellow bassist Israel Crosby were leading examples of the more laid-back "Chicago Sound" approach to the bass during the 1950s.
Although Ware has often been critiqued by modern-day schooled double bassists for his use of an unorthodox fingerings and left-hand shifts, he nevertheless had a mastery of all the fingerboard positions and his remarkable speed of execution enabled him not only to execute the correct chord tones but to craft uniquely structured solo movements on some of most difficult music in the genre. In his last years Ware was enthusiastically involved with the avant garde school.
Fish have been caught, tournaments won, and records set with the ever-popular Mann's Baby 1-Minus Crankbaits. Designed to run extra-shallow and rattle hard, these wide-wobbling 1-Minus cranks can be twitch, jerked or cranked over weedbeds, stumps, shallow flats and other lunker holding water. Get your hands on some of these big-bass cranks and take ownership of the top 12'' of water.
There is a full band track and a music-minus-one backing track for you to play along with. These are included with the download, but can also be downloaded from the Free Stuff section of our website, free of charge.
But Orzabal's voice is worth the price of admission. It's powerful, even on the quieter songs like "Famous Last Words," and his "Woman in Chains" - sung this time around with bass guitarist Gail Ann Dorsey instead of Oleta Adams - showcases Orzabal's strengths as both as songwriter and singer.
Sam Taylor, tenor sax; Haywood Henry, baritone sax; Mal Waldron, piano; Wally Richardson, guitar; John William Jr., bass; Bobby Donaldson, drums; Varetta Dillard, vocal; Leroy Kirkland, arranger, director.
Art Farmer as Peter Urban, trumpet; Don Butterfield, tuba; Gigi Gryce, alto sax; J.R. Monterose, tenor sax; George Barrow, baritone sax; Teddy Charles, vibes, arranger; Mal Waldron, piano; Jimmy Raney, guitar; Teddy Kotick, bass; Joe Harris, drums; Jimmy Giuffre, arranger.
Art Farmer as Peter Urban, trumpet; Don Butterfield, tuba; Gigi Gryce, alto sax; J.R. Monterose, tenor sax; George Barrow, baritone sax; Teddy Charles, vibes, arranger; Mal Waldron, piano; Jimmy Raney, guitar; Teddy Kotick, bass; Joe Harris, drums; Bob Brookmeyer, Gil Evans, arranger.
Art Farmer as Peter Urban, trumpet; Don Butterfield, tuba; Gigi Gryce, alto sax; J.R. Monterose, tenor sax; Sol Schlinger, baritone sax; Teddy Charles, vibes, arranger; Mal Waldron, piano, arranger; Jimmy Raney, guitar; Teddy Kotick, bass; Joe Harris, drums; George Russell, arranger.
Doc Cheatham, trumpet; Vic Dickenson, trombone; Coleman Hawkins, Ben Webster, Lester Young, tenor sax; Mal Waldron, piano; Danny Barker, guitar; Jim Atlas, bass; Jo Jones, drums; Billie Holiday, vocal.
Roy Eldridge, trumpet; Benny Morton, trombone; Coleman Hawkins, Ben Webster, Lester Young, tenor sax; Gerry Mulligan, baritone sax; Mal Waldron, piano; Freddy Green, guitar; Milt Hinton, bass; Osie Johnson, drums; Billie Holiday, vocal.
Buck Clayton, Charlie Shavers, trumpet; Tyree Glenn, trombone; Georgie Auld, tenor sax; Harry Sheppard, vibes; Mal Waldron, piano; Mary Osborne, guitar; Vinnie Burke, bass; Osie Johnson, drums; Billie Holiday, vocal.
Jerome Richardson, flute #1,2,4; John Coltrane, alto sax #1-3; Gene Ammons, tenor sax; Paul Quinichette, tenor sax #1,2; Pepper Adams, baritone sax #1,2; Mal Waldron, piano; George Joyner, bass; Arthur Taylor, drums.
Jerome Richardson, flute; John Coltrane, alto sax #1; Gene Ammons, tenor sax; Paul Quinichette, tenor sax #1; Pepper Adams, baritone sax #1,2; Mal Waldron, piano; George Joyner, bass; Arthur Taylor, drums.
Mel Davis, trumpet; Urbie Green, J.J. Johnson, Tom Mitchell, trombone; Danny Bank, Phil Bodner, Romeo Penque, unknown (a flute specialist), woodwinds; George Ockner, concertmaster; 11 unknown, violin; 3 unknown, viola; 2 unknown, David Sawyer, cello; Janet Putnam, harp; Mal Waldron, piano; Barry Galbraith, guitar; Milt Hinton, bass; Osie Johnson, drums; Phil Kraus, percussion; Lois ......, Elise Bretton, Miriam Workman, soprano voices; Billie Holiday, vocal; Ray Ellies, arranger, conductor.
Marcus Belgrave, trumpet; Zoot Sims, tenor sax; Roland Alexander, tenor sax, flute; Teddy Charles, vibes; Mal Waldron, piano; Kenny Burrell, guitar; Addison Farmer, Eustis Guillemet, bass; Charlie Persip, Ed Shaughnessy, drums; Betty Blake, vocal.
Willie Dennis, Jimmy Knepper, trombone; John Handy, Jackie McLean, alto sax; Booker Ervin, tenor sax; Pepper Adams, baritone sax; Mal Waldron, piano; Charles Mingus, bass; Dannie Richmond, drums.: same session.
Donald Byrd, trumpet; Bob Brookmeyer, valve trombone; Hal McKusick, alto sax; Frank Socolow, tenor sax; Teddy Charles, vibes; Mal Waldron, piano; George Duvivier, bass; Ed Shaughnessy, drums; Bill Russo, arranger, conductor.
Donald Byrd, trumpet; Bob Brookmeyer, valve trombone; Hal McKusick, alto sax; Frank Socolow, tenor sax; Teddy Charles, vibes, arranger, conductor; Mal Waldron, piano; George Duvivier, bass; Ed Shaughnessy, drums.
Marcus Belgrave, Donald Byrd, Booker Little, trumpet; Mal Waldron, piano; Addison Farmer, bass; Ed Shaughnessy, drums; Armando Peraza as Armando Perazo, congas; Joe Scariza, editing engineer, remixing engineer.
Don Ellis, Booker Little, trumpet; Curtis Fuller, trombone; Mal Waldron, piano; Addison Farmer, bass; "Philly" Joe Jones, drums; Willie Rodriguez, congas; Ed Shaughnessy, percussion, vibes; Joe Scariza, editing engineer, remixing engineer.
Don Ellis, Booker Little, trumpet; Curtis Fuller, trombone; Mal Waldron, piano; Addison Farmer, bass; "Philly" Joe Jones, drums; Willie Rodriguez, congas; Ed Shaughnessy, percussion, vibes; Joe Scariza, editing engineer, remixing engineer.: same session.
Booker Little, trumpet; Julian Priester, trombone; Walter Benton, Coleman Hawkins, tenor sax; Eric Dolphy, reeds; Mal Waldron, piano; Art Davis, bass; Max Roach, drums; Montego Joe as Roger Sanders, Robert Whitley, conga drums #6; Abbey Lincoln, vocal; Nat Hentoff, supervisor.
Booker Little, trumpet; Julian Priester, trombone; Walter Benton, Coleman Hawkins, tenor sax; Eric Dolphy, reeds; Mal Waldron, piano; Art Davis, bass; Max Roach, drums; Montego Joe as Roger Sanders, Robert Whitley, conga drums; Abbey Lincoln, vocal; Nat Hentoff, supervisor.
Booker Little, trumpet; Julian Priester, trombone; Eric Dolphy, flute, alto sax, bass clarinet; Clifford Jordan, tenor sax; Mal Waldron, piano; Art Davis, bass; Max Roach, drums; Carlos "Patato" Valeler, conga drums #1; Carlos "Totico" Eugenio, cowbell #1; Abbey Lincoln, voice. 2ff7e9595c
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